Multidisciplinary Journal of Art, Religion, Culture, and Humanity https://so18.tci-thaijo.org/index.php/MARCH <p>An international, peer-reviewed, open-access journal advancing interdisciplinary scholarship in arts, religion, and the humanities. We publish original research in arts and cultural studies, religious and philosophical inquiry, the humanities and social sciences, and cross-disciplinary approaches that deepen understanding of culture, belief, and human experience.</p> Thai-Taiwan (BDI) Technological College en-US Multidisciplinary Journal of Art, Religion, Culture, and Humanity Graphic Score Interpretation Ecology (GSIE) https://so18.tci-thaijo.org/index.php/MARCH/article/view/2641 <p>This article proposes Graphic Score Interpretation Ecology (GSIE) as a framework for <br />analysing interpretation in graphic-score-based sound practice. Drawing on the DAILY <br />project, in which nineteen participants produced distinct works from the same set of <br />graphic scores, the study addresses a central problem: how meaning emerges when <br />notation does not prescribe outcome. Rather than treating interpretation as a process of <br />decoding, GSIE models it as a dynamic system involving visual, embodied, cultural, <br />technological, and creative dimensions. The paper argues that graphic scores function as <br />generative systems that organise conditions for distributed creativity. This perspective <br />contributes to sound-based artistic research by providing a framework for understanding <br />variability, interaction and knowledge production in contemporary compositional <br />environments.</p> Becky Chen Copyright (c) 2026 Multidisciplinary Journal of Art, Religion, Culture, and Humanity 2026-06-18 2026-06-18 1 1 1 11 An Eastern Philosophy-Based Digital Music Database for Emotion Management https://so18.tci-thaijo.org/index.php/MARCH/article/view/2635 <p>Emotional stress and psychological imbalance have become increasingly prevalent in <br />contemporary society, creating a growing need for culturally appropriate approaches <br />to emotional regulation and psychological well-being. Although music therapy has <br />been widely recognized as an effective intervention for emotion management, most <br />existing approaches are primarily grounded in Western psychological theories and seldom incorporate traditional Eastern philosophical perspectives. This study <br />proposes an innovative digital music database that integrates the philosophical <br />concepts of the Book of Changes (I-Ching) with music therapy to establish a <br />culturally adaptive framework for emotion management. <br />A qualitative design-based research approach was adopted to construct the proposed <br />database. An interdisciplinary expert panel consisting of specialists in the Book of <br />Changes and music was invited to systematically associate the sixty-four hexagrams <br />with representative musical compositions. The completed database was implemented <br />through an online platform, allowing users to engage in emotional reflection through <br />symbolic interpretation and music listening. User feedback was subsequently <br />collected to evaluate the feasibility and perceived effectiveness of the proposed <br />system. <br />The findings indicate that participants generally accepted the proposed framework and <br />considered it an innovative and meaningful approach to emotional regulation. The <br />integration of philosophical symbolism and musical experience promoted self<br />reflection, emotional comfort, and psychological adaptation. The study demonstrates <br />that combining Eastern philosophical wisdom with music therapy and digital <br />technology can provide a culturally sensitive and interdisciplinary approach to <br />emotional well-being. <br />This research contributes to the integration of Eastern philosophy, music therapy, <br />digital humanities, and counseling psychology by proposing an innovative emotion <br />management model with potential applications in counseling, education, and mental <br />health promotion.</p> Chenprach Colin Iris Y.S. Liou Copyright (c) 2026 Multidisciplinary Journal of Art, Religion, Culture, and Humanity 2026-06-18 2026-06-18 1 1 1 33 Reinterpreting Lao Duang Duen as Living Cultural Heritage https://so18.tci-thaijo.org/index.php/MARCH/article/view/2639 <p>Lao Duang Duen (ลาวดวงเดือน) is widely regarded as one of the most significant <br />compositions in Thai traditional music and represents an important element of <br />Thailand’s intangible cultural heritage. Since its creation during the late nineteenth <br />century, the composition has been continuously performed, adapted, and reinterpreted <br />across diverse musical contexts. This study investigates the historical significance, <br />musical adaptations, and performance practices associated with Lao Duang Duen <br />through a qualitative comparative analysis. Drawing upon perspectives from ethnomusicology, cultural heritage studies, and cultural sustainability, the research <br />examines traditional Thai ensemble performances, modern orchestral arrangements, <br />and cross-cultural adaptations. The findings reveal that while different versions <br />exhibit variations in instrumentation, texture, tempo, and interpretative style, the core <br />melodic identity and cultural symbolism of the composition remain remarkably <br />consistent. Furthermore, the study demonstrates that musical adaptation serves not as <br />a threat to authenticity but as an important mechanism for sustaining cultural <br />relevance and facilitating intergenerational transmission. The continuing <br />reinterpretation of Lao Duang Duen illustrates how traditional music can function as a <br />form of living cultural heritage, balancing preservation with innovation in response to <br />changing social and artistic environments. The study argues that the vitality of Thai <br />traditional music depends not only on conserving historical forms but also on <br />encouraging creative engagement and cultural renewal. The findings contribute to <br />broader discussions on heritage preservation, cultural identity, and the sustainability <br />of traditional performing arts in contemporary society.</p> Andy Leong Kesinee Chiuprecha Copyright (c) 2026 Multidisciplinary Journal of Art, Religion, Culture, and Humanity 2026-06-18 2026-06-18 1 1 AI-Enabled Sustainable Indigenous Heritage https://so18.tci-thaijo.org/index.php/MARCH/article/view/2638 <p>The rapid decline of indigenous languages poses a significant challenge to cultural <br />heritage preservation worldwide. This study argues that indigenous language <br />preservation should be understood as a process of cultural revitalization rather than <br />merely linguistic documentation. <br />Using Taiwan’s indigenous languages as a representative case, the study explores how <br />artificial intelligence (AI) can support indigenous cultural sustainability. Drawing <br />from Indigenous Studies, Cultural Sustainability, Digital Humanities, and AI research, <br />it develops an interdisciplinary framework linking language revitalization, knowledge <br />transmission, community participation, and technological innovation. <br />The paper proposes the AI-Supported Indigenous Cultural Revitalization Framework <br />(AICRF) and further develops the AI-Enabled Sustainable Indigenous Heritage Model (AI-SIHM). These models illustrate how AI technologies—including speech <br />recognition, natural language processing, machine translation, large language models, <br />and digital storytelling—can facilitate language preservation, cultural transmission, <br />and indigenous heritage sustainability. <br />The findings suggest that AI should serve as a supportive tool rather than a <br />replacement for indigenous knowledge holders. Effective AI-assisted cultural <br />revitalization requires Indigenous Data Sovereignty, ethical governance, and <br />community participation. The study contributes to the literature by integrating cultural <br />sustainability theory with indigenous knowledge systems and proposing AI-SIHM as <br />a multidisciplinary framework for future research and practice. It concludes that AI, <br />when guided by indigenous self-determination, can become a catalyst for <br />safeguarding indigenous heritage and promoting sustainable cultural futures. </p> Shuemei Yu Chih-Hsiung Hsieh Copyright (c) 2026 Multidisciplinary Journal of Art, Religion, Culture, and Humanity 2026-06-18 2026-06-18 1 1 Living Faith Across Generations https://so18.tci-thaijo.org/index.php/MARCH/article/view/2636 <p>This study examines how religious faith, moral cultivation, and social responsibility are <br />transmitted across generations within a Taiwanese family affiliated with a syncretic <br />religious tradition. Based on oral history interviews with the granddaughter of a senior <br />religious master, the study analyzes how family memory operates as a mechanism of <br />ethical formation and spiritual continuity. <br />Drawing on Halbwachs’ theory of collective memory, Ricoeur’s narrative identity, and <br />the concept of lived religion proposed by Orsi and McGuire, this article argues that <br />religious transmission is not primarily doctrinal but embodied, relational, and narratively <br />constructed. Three interrelated mechanisms are identified: memory as moral framing, <br />narrative identity as ethical formation, and embodied practice as lived religion.</p> <p>This study therefore argues that intergenerational religious transmission is fundamentally <br />sustained through narrative reconstruction and embodied ethical practice within intimate <br />family contexts, rather than through formal doctrinal instruction alone. <br />The study contributes to scholarship on religion and memory by demonstrating how <br />family-based oral histories function as informal yet powerful sites of moral pedagogy, <br />sustaining religious continuity through everyday life.</p> Miao-Hua Chang Khunru Varen Copyright (c) 2026 Multidisciplinary Journal of Art, Religion, Culture, and Humanity 2026-06-18 2026-06-18 1 1 Beyond Memory Preservation https://so18.tci-thaijo.org/index.php/MARCH/article/view/1848 <p>The rapid development of artificial intelligence, virtual reality (VR), augmented <br />reality (AR), mixed reality (MR), digital avatars, memorial chatbots, and immersive <br />simulation technologies has transformed contemporary approaches to grief support <br />and bereavement care. Traditional grief interventions have relied primarily on <br />symbolic remembrance, narrative reconstruction, and interpersonal counseling. <br />However, emerging digital technologies increasingly enable bereaved individuals to <br />interact with reconstructed representations of deceased loved ones through This paper proposes the Humanoid Bereavement Intervention Model (HBIM) as a <br />conceptual framework for understanding the potential role of human-like <br />representations in grief counseling. Rather than presenting empirical clinical findings, <br />this study develops a theoretical model integrating contemporary grief theories, <br />including Continuing Bonds Theory, Meaning Reconstruction Theory, Attachment <br />Theory, Narrative Reconstruction, and Digital Legacy Studies. The HBIM framework <br />classifies bereavement technologies into three developmental levels: (1) established <br />memorial technologies, including photographs, audio recordings, videos, and <br />memorial artifacts; (2) emerging digital bereavement technologies, including VR <br />interventions, AI memorial chatbots, digital avatars, and holographic reconstruction <br />systems; and (3) speculative future technologies, including humanoid replicas, <br />android companions, and hypothetical human cloning applications. <br />The study further examines ethical challenges associated with immersive grief <br />technologies, including psychological dependency, identity confusion, informed <br />consent, posthumous dignity, and commercialization of mourning. It argues that <br />technological interventions should function as transitional therapeutic tools rather <br />than substitutes for healthy psychological adaptation. The ultimate goal of <br />bereavement intervention remains meaning reconstruction, emotional integration, and <br />adaptive adjustment to loss. <br />The proposed HBIM framework contributes to emerging interdisciplinary discussions <br />in grief counseling, digital death studies, AI-assisted psychotherapy, and technology <br />ethics by providing a structured model for evaluating both the opportunities and risks <br />of future memorial technologies.</p> CAI, ZHENG ZHUNG Copyright (c) 2026 Multidisciplinary Journal of Art, Religion, Culture, and Humanity 2026-06-18 2026-06-18 1 1