FOCUS ON ARTS : FAR, SSRU https://so18.tci-thaijo.org/index.php/forfar <p style="margin: 0cm; tab-stops: 21.3pt 70.9pt 92.15pt;"><span class="apple-tab-span"><span lang="EN-US" style="font-size: 16.0pt; font-family: 'TH Sarabun New',sans-serif; color: black; background: white;">The online platform that serves as a doorway to access Research publications and Academic publications specifically dedicated to the study of Fine and Applied Arts. The areas of interest include the fields of Social Science and Human Science.</span></span></p> en-US kanyanee.ph@ssru.ac.th (Assistant Professor Noppadon Sangwalpetch) kanyanee.ph@ssru.ac.th (Kanyanee Phuangsua ) Mon, 29 Jun 2026 12:43:23 +0700 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 Objects as Concepts: A Comparative Study of Meaning-Driven Creative Processes in Painting Thesis, Suan Sunandha Rajabhat University https://so18.tci-thaijo.org/index.php/forfar/article/view/2435 <p>This research article has two objectives: 1) to analyze the conceptual art characteristics present in the art thesis works of Pornnapin Khumkaew and Chalisa Chuathao, and 2) to compare the meaning-driven creative processes employed in both works. The study adopts a qualitative research approach, utilizing document analysis and artwork analysis within the theoretical framework of the Object as Meaning-Carrier and the conceptual art theories of Sol LeWitt and Joseph Kosuth. Two undergraduate thesis works from the Painting Department, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University were selected as comparative case studies, namely Ceramic Glass Painting Art with Autistic Children by Pornnapin Khumkaew and Objects of Bonds in Memory by Chalisa Chuathao, both conducted under the supervision of Instructor Dr. Pasutt Kanrattanasutra. A four-dimensional comparative analytical framework was applied, examining: 1) core concept, 2) the function of objects, 3) social issues addressed, and 4) the relationship between process and outcome. The findings reveal that despite differences in subject matter, media, and creative context, both works share a conceptual common ground, namely the use of objects and processes as vehicles for social, emotional, and humanistic meaning, which stands as a defining characteristic of conceptual art in contemporary artistic practice.</p> Pasutt Kanrattanasutra, Pornnapin Khumkaew, Chalisa Chuathao Copyright (c) 2026 FOCUS ON ARTS : FAR, SSRU https://so18.tci-thaijo.org/index.php/forfar/article/view/2435 Mon, 29 Jun 2026 00:00:00 +0700 Creative Fashion Design Inspired by Depression https://so18.tci-thaijo.org/index.php/forfar/article/view/2651 <p>This creative research aims to explore the synthesis of psychological states and fashion through the collection "Creative Fashion Design Inspired by Depression." The objectives are to investigate the visual language of depressive symptoms and to translate these emotional complexities into wearable art. The research methodology employs a qualitative approach, integrating data collection from psychological literature and visual semiotics with experimental design processes, including fabric manipulation and silhouette construction. The findings reveal that the integration of somber color palettes, deconstructed textures, and restrictive forms effectively communicates the internal struggle of the human mind, creating a profound narrative through garment design. The study concludes that fashion serves as a potent medium for social commentary and psychological expression, recommending further exploration into the therapeutic potential of avant-garde design in contemporary art contexts.</p> Siratcha Samleethong, Natthaphon Matmulsri, Suwit Sadsunk, Chanoknart Mayusoh, Supawadee Juysukha, Tueanta Pornmuttawarong, Taechit Cheuypoung, Mongkol Ingkutanon, Thanaphan Boonyarutkalin, Kamolwan Patcharapornpipat Sarasuk Copyright (c) 2026 FOCUS ON ARTS : FAR, SSRU https://so18.tci-thaijo.org/index.php/forfar/article/view/2651 Mon, 29 Jun 2026 00:00:00 +0700 The Relationship Between Life and the Urban Environment https://so18.tci-thaijo.org/index.php/forfar/article/view/2652 <p>This research presents a creative study exploring the relationship between life and the urban environment through contemporary painting. In the context of rapid urban development, cities are no longer perceived solely as physical structures but as living systems shaped by socio-cultural and environmental dimensions that influence human life and experience. This study aims to examine the connection between human life and the urban environment and to translate the research findings into creative outcomes using acrylic painting as a visual research medium. The research adopts a qualitative approach combined with practice-based creative research. It incorporates a review of relevant literature on urban environmental concepts and symbolic interpretation theory, together with field observations of the riverside community along Khlong Hua Takhe in Bangkok. The creative process consists of conceptual analysis, visual design development, and the creation of acrylic paintings that convey symbolic relationships between nature, community, and urban structures. The findings reveal that human life within urban contexts remains closely connected to natural elements, particularly water-based environments that shape community identity, collective memory, and everyday life. The artworks demonstrate a synthesis of organic and geometric forms, layered colors, and varied textures to express harmony, tension, and contrast between natural and built environments. Through symbolic interpretation, the paintings function as mental spaces that encourage viewers to reflect on their own experiences of contemporary urban life. This study confirms that contemporary painting can serve as an effective research outcome for generating artistic knowledge and communicating complex relationships between life and the urban environment.</p> Pisit Puntien Copyright (c) 2026 FOCUS ON ARTS : FAR, SSRU https://so18.tci-thaijo.org/index.php/forfar/article/view/2652 Mon, 29 Jun 2026 00:00:00 +0700 Factors Influencing the Decision to Study for a Bachelor’s Degree in the Music Program, Suan Sunandha Rajabhat University https://so18.tci-thaijo.org/index.php/forfar/article/view/1812 <p>This research aimed to study the factors that are important to the decision to study for a bachelor’s degree in music of Suan Sunandha Rajabhat University students. A questionnaire was created using Google Form and distributed to students by distributing it in the LINE group of all music students. A total of 76 questionnaires were received, representing 100 percent of the total number of questionnaires. The data were analyzed using descriptive statistics, including frequency, percentage, mean, and standard deviation. In conclusion, the majority of the sample were male (76.32%), 19 years old (72.37%), living in the central region, having (42.11%) a high school diploma (90.79%), a GPA of 2.51-3.00 (47.37%), graduating from a government school (81.58%), choosing to study as a major instrument, electric guitar (36.84%), and having a family occupation as a private company employee (31.58%), and having an average income of 10,001 - 20,000 baht (51.32%). They learned about the recruitment news from the guidance activities the most (43.42%).The results of the research found that the factors that influenced the decision to study for a bachelor's degree were generally at a high level. Including confidence in the cost of education and personal factors, average (4.69), university location (4.58), university image (4.56) and curriculum (4.54). The results of the study concluded that opinions on factors influencing the decision to study at the bachelor's degree level, Faculty of Science and Technology, when classified by gender, age, place of residence, parent's occupation, family income, and decision to study at the bachelor's degree level in Western music, major in music, of Suan Sunandha Rajabhat University students.</p> Patommavat Thammachard, Rungkiat Siriwongsuwan, Chitsanupong Intarakaew, Chatchawan Klomklom Copyright (c) 2026 FOCUS ON ARTS : FAR, SSRU https://so18.tci-thaijo.org/index.php/forfar/article/view/1812 Mon, 29 Jun 2026 00:00:00 +0700 Shifting Resources: Mixed-Media Printmaking Reflecting the Migration of Natural and Cultural Resources in the Age of Globalization https://so18.tci-thaijo.org/index.php/forfar/article/view/2654 <p>The objectives of this research were (1) to study the concept of the cross-border movement of natural and cultural resources in the age of globalization, and (2) to create a mixed-media print combining woodcut print with the collage of print fragments. The work employs cartographic aesthetics as a visual strategy for giving concrete form to the networks through which materials, products, knowledge, and cultural heritage move. The black surface with rough traces represents landscapes interfered with by human activity; the overlapping white linear structure represents networks of trade routes and systems of cultural transmission; the green collaged fragments represent the directional flow of resources; and the red accents represent points of conflict and loss during transit. The results show that the integration of printing techniques with collage produces fragmented and overlapping levels of surface, reflecting the paradox of contemporary societies that seek to preserve cultural identities while the foundations of those identities are constantly being displaced. The work passed an evaluation by five external experts, received a rating of A (Very Good), and was exhibited at The 16th International Creative Arts Workshop and Exhibition 2026 (RSSICAWE 2026).</p> Pasutt Kanrattanasutra, Songwoot Kaewvisit Copyright (c) 2026 FOCUS ON ARTS : FAR, SSRU https://so18.tci-thaijo.org/index.php/forfar/article/view/2654 Mon, 29 Jun 2026 00:00:00 +0700 Thai Classical Music ‘Tub Kheak Sai (Oh Phra Phai)’ Song Played by Acoustic Guitar Quartet https://so18.tci-thaijo.org/index.php/forfar/article/view/1814 <p>This creative research project aimed to (1) develop the Thai classical composition Tub Khaek Sai (Oh Phra Phai) for acoustic guitar quartet and (2) disseminate the resulting arrangement through musical notation and audio recording. The study employed a creative research methodology that integrated musical analysis, reharmonization, arrangement, score preparation, and performance production. The original composition served as the primary source material, while principles of Western music theory, jazz harmony, and guitar arranging techniques were applied to create a contemporary adaptation suitable for acoustic guitar ensemble performance.</p> <p>The arrangement was developed as a four-part texture consisting of melody, harmonic support, chordal accompaniment, and bass functions. To enhance the musical character of the work, the researcher employed various compositional and arranging techniques, including broken chords, staccato articulation, motivic development, intervallic writing, interval alteration, drop-2 voicings, rhythmic augmentation, and rhythmic diminution. The original key was transposed from B-flat major to E major to better accommodate the technical and idiomatic characteristics of the guitar.</p> <p>The results of the study demonstrate that Thai classical music can be effectively adapted for contemporary guitar ensemble performance while preserving its essential melodic identity. The project produced a complete performance score and professional audio recording, providing valuable educational, performance, and research resources for musicians, students, and scholars interested in Thai music adaptation and cross-cultural musical development. The study also contributes to the preservation and dissemination of Thai musical heritage through contemporary creative practice and digital media.</p> Patommavat Thammachard, Krittavit Bhumithavara Copyright (c) 2026 FOCUS ON ARTS : FAR, SSRU https://so18.tci-thaijo.org/index.php/forfar/article/view/1814 Mon, 29 Jun 2026 00:00:00 +0700