Global Interactive Journal of World Religions and Cultures https://so18.tci-thaijo.org/index.php/gjwrc_2521 The Community Enterprise of the Banana Conservation Center in Suphanburi en-US Global Interactive Journal of World Religions and Cultures 2985-0975 HEBEI MIDDLE SCHOOL TEACHERS’ PERSPECTIVE ON TEACHING HEBEI FOLK SONGS IN FOLK SONG VOCAL MUSIC CLASS, HEBEI PROVINCE, THE PEOPLE’S REPUBLIC OF CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1033 <p>The purpose of this study is to explore Hebei Middle School Teachers’ Perspective on Teaching Hebei Folk Songs in Folk Song Vocal Music Class, Hebei Province, The People’s Republic of China. This is a Qualitative research study, use expert interviews and conduct to improve the learners' interest and singing ability in learning Chinese folk songs according to the content of the expert interviews. Obtained the survey results of folk song teaching from five music high schools in Hebei Province. <strong>The results show that</strong> according to the unique regional cultural value of Hebei folk songs, the integration of Hebei folk songs in music teaching is discussed from the perspective of middle school teachers in Hebei Province. At present, there are relatively few studies on Hebei folk song teaching in the middle school music classroom. This study can fill the gap in this field and provide new ideas and approaches for the theoretical research and practice of Hebei folk song teaching.</p> Yang ShiJu Thitinun Charoensloong Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 312 328 STUDYING THE VOCAL MUSIC TEACHING IN THE AI YUEREN MUSIC EDUCATION INSTITUTION FOR MIDDLE SCHOOL STUDENTS, CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1023 <p>Vocal music plays a significant role in Chinese culture, deeply rooted in traditional beliefs and artistic expressions. The integration of vocal training into modern music education not only enhances students’ technical abilities but also fosters an appreciation for the rich heritage of Chinese musical traditions. This study aims to explore the vocal music teaching methods used at the Ai Yueren Music Education Institution for middle school students. The research employs a qualitative approach, focusing on one-on-one private vocal lessons as a primary method of data collection. Through in-depth observations and interviews with key informants—experienced vocal instructors and experts—the study examines effective teaching techniques, student engagement, and the impact of personalized vocal instruction on student development. The key informants include Professor Gong Sujun, a distinguished vocal educator from Guilin University; Ms. Xu Huan, a seasoned instructor specializing in vocal music and music theory at Guangxi University of the Arts; and Ms. Huang Lan, an expert in pop vocal training with extensive teaching experience. Research findings indicate that individualized vocal training allows for tailored instruction based on each student’s vocal range, technique, and musical preferences. Effective teaching methods identified in the study include scientific breathing techniques, resonance training, and expressive interpretation of Chinese and Western vocal pieces. Additionally, the incorporation of traditional Chinese singing techniques with Western vocal pedagogy has been shown to enhance both technical proficiency and cultural appreciation among students. <strong>The study concludes that</strong> a balanced approach—blending structured vocal techniques with elements of Chinese cultural traditions—offers a comprehensive and effective model for vocal music education. These findings provide valuable insights into optimizing vocal music instruction and preserving traditional Chinese vocal artistry while adapting to contemporary educational practices.</p> Li Yawen Rujee Srisombut Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 253 267 SYNTHESIS OF THE PUBLIC ADMINISTRATION IN THE REIGN OF KING RAMA IV THROUGH PARTICIPATION PROCESS IN THE RESTORATION OF PHRA PA LELAI, SUPHANBURI PROVINCE https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1034 <p>This research aims to study ancient documents related to the restoration of the Phra Pa Lelai during the reign of King Rama IV. The objective is to understand the administrative processes of the past and to synthesize them with Cohen's participatory process, as well as public policy-making processes, to apply them to local governance in the present. A mixed-methods research approach was employed, collecting data from 12 ancient documents from the reign of King Rama IV related to the restoration of the Phra Pa Lelai between 1860 -1865, and from a meeting with a group of experts. The data analysis techniques used were textual analysis and descriptive analysis. <strong>The research findings</strong> revealed the following: 1) King Rama IV played a significant role in making the final decision to restore the Phra Pa Lelai. He appointed project managers, planned, allocated resources, and monitored progress. The administration was systematic, with well-defined work procedures and regular progress reports. 2) the restoration of the Phra Pa Lelai served as an example of participation from all sectors, both public and private, with a shared goal of restoring the palace as an important Buddhist site. The participation included providing labor, materials, and active involvement in the work, as well as collectively benefiting from the restoration. 3) the results of the synthesis with the public policy-making process can be applied to the management of local government organizations in the present. Particular, it is essential to emphasize public participation, effective data management, collaboration among all sectors, and continuous evaluation to improve performance and achieve sustainable goals.</p> phrakhrusuphonweeranuwat Kedkhong Phrakhrupraphatphutthibandit Noppadol Deethaisong Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 329 346 EXPLORING THE EFFECT OF TASK-BASED INSTRUCTION WITH AUTHENTIC MATERIALS ON THE ENGLISH PROFICIENCY OF THAI HIGH SCHOOL STUDENTS AT MARIE UPATHAM SCHOOL https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1115 <p>The purposes of this study were to: 1) compare the mean scores of students' English proficiency tests before and after receiving task-based instruction with authentic materials, and 2) examine students' overall attitude toward the instructional approach. A pre-experimental design (one-group pretest-posttest) was utilized in the study. The sample consisted of 50 eleventh-grade students from Marie Upatham School during the first semester of the 2025 academic year, selected through purposive sampling. The research instruments included: 1) 24 lesson plans based on task-based instruction with authentic materials, 2) pretest and posttest English proficiency tests, and 3) a questionnaire to gauge students' attitudes toward task-based instruction with authentic materials. Data analysis was conducted using paired-sample t-tests, means, and standard deviations. <strong>The findings revealed that</strong> the mean pretest score was 30.58 (S.D. = 3.61), while the mean posttest score increased to 36.86 (S.D. = 4.01), indicating a statistically significant improvement at the 0.05 level. The attitude questionnaire showed mean scores of 4.41 (S.D. = 0.44) for task-based learning activities, 4.39 (S.D. = 0.32) for content, and 4.34 (S.D. = 0.39) for perceived benefits. The overall mean attitude score was 4.38 (S.D. = 0.34), demonstrating that students held a high positive attitude toward task-based instruction with authentic materials. These results indicated that task-based instruction with authentic materials effectively enhanced English proficiency and was positively received by students. This study provided valuable insights into enhancing English proficiency through task-based instruction with authentic materials and offered innovative recommendations for educators and researchers to improve teaching practices and educational outcomes.</p> Viroj Asavajaruphan Suwanna Yutthapirut Sarawut Boonruk Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 409 424 MUSIC TEACHER ON PERSPECTIVE ON TEACHER MUSIC PRIVATE SCHOOL KINDERGARTEN STUDENTS FROM THE PERSPECTIVE OF MUSIC TEACHERS IN PRIVATE KINDERGARTENS IN ZUNYI CITY, GUIZHOU PROVINCE https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1039 <p>The objective of this research explored music teaching to kindergarten students from the perspective of music teachers in private kindergartens in Zunyi City, Guizhou Province. The research methodology qualitative research method gathering data by interview and observation, the research tools were interview form and observation and IOC form. <strong>The results of the study</strong> conduct in-depth on-site observation and analysis of the music classrooms of four private kindergartens in Zunyi City, namely Zunyi Xinyu Kindergarten, Zunyi Meiyu Central Kindergarten, Zunyi Green Garden Kindergarten and Zunyi Experimental Kindergarten, through observation and investigation and interviews. The observation period spanned from November 2024 to February 2025 and aimed to explore the overall effectiveness of teacher behavior, student learning responses, classroom climate, and music education practices. The findings from classroom observations and interviews highlight the diverse and effective approaches used by private kindergartens in Zunyi City to teach music. Each institution adopts unique strategies tailored to their educational philosophy, whether through structured curricula, interactive teaching methods, diverse teaching media, or adaptive classroom environments. While all kindergartens emphasize the importance of engagement, participation, and cultural appreciation, their methodologies reflect a balance between theory and practice, tradition and modernity, structure and creativity.</p> Chen Xijian Thitinun Charoensloong Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 347 359 DEVELOPMENT OF PERSONNEL POTENTIAL IN SUBDISTRICT ADMINISTRATIVE ORGANIZATIONS AFFECTING CITIZEN SATISFACTION WITH SERVICES IN THE EASTERN REGION https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1117 <p> This research employed a quantitative approach using survey methodology to examine the influence of personnel development in Subdistrict Administrative Organizations (SAOs) on citizen satisfaction with public services in Thailand's eastern region. Data were collected from relevant documents, previous studies, and structured questionnaires. The study aimed to: (1) assess citizen satisfaction levels regarding SAO services; (2) evaluate public awareness of SAO personnel development and its impact on service quality; and (3) propose strategies for effective personnel development aligned with citizen expectations. A sample of 400 respondents revealed that the majority were female (55.0%), with the largest age group being 26–35 years (32.5%), and most holding a bachelor’s degree (30.0%). The primary occupational groups included private employees (27.5%) and farmers (22.5%). Among the service aspects evaluated, personnel's advisory capacity received the highest satisfaction score (Mean = 4.12±0.85), followed by transparency and fairness (Mean = 4.01±0.95), and politeness and friendliness (Mean = 3.97±0.13). The speed of service and the accuracy of information and documents were also rated highly (Mean = 3.84±0.99 and 3.85±0.98, respectively). Overall satisfaction with services was high (Mean = 3.96±0.15). Furthermore, 70.0% of respondents were aware of personnel development initiatives, and an equal percentage believed these initiatives positively impacted service quality. The area most in need of improvement were communication and public service skills (62.5%), followed by information technology utilization (55.0%). These findings highlight the importance of continuous personnel development to enhance service efficiency, responsiveness, and citizen satisfaction in local governance. The study provides practical recommendations for strengthening SAO personnel capabilities to meet community needs effectively.</p> Thadtsaphol Nonthaweekit Dr.Tascharpat Yuktananda Kanisorn Sommalurn Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 425 440 SURVEYING ON MUSIC TEACHING IN SEVENTH GRADE IN YINHE MIDDLE SCHOOL AT FUJIAN, CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1027 <p class="xxx" style="text-indent: 0in; line-height: 115%;"><span lang="X-NONE" style="font-size: 12.0pt; line-height: 115%; font-family: 'Times New Roman',serif;">This study investigates music teaching in the seventh grade at Yinhe Middle School in Fujian, focusing on instructional strategies, student engagement, and teaching effectiveness. Rooted in Chinese culture and tradition, the research highlights the role of music education in fostering artistic sensibility, creativity, and a deeper appreciation for music. By examining teaching practices and incorporating diverse musical styles, the study aims to explore how structured lesson planning and interactive teaching approaches contribute to students' musical and personal development. Using a qualitative research methodology, data were collected through classroom observations and interviews with key informants, including experienced music educators. Observations assessed students' learning performance and engagement, while interviews with teachers, students, and parents provided insights into teaching models, instructional challenges, and expectations. <strong>The research findings</strong> reveal that effective music teaching combines structured planning, multimedia integration, and personalized feedback to enhance student motivation and learning outcomes. Additionally, the study emphasizes the importance of adapting teaching methods to individual learning styles, fostering cooperation through ensemble activities, and promoting a lifelong passion for music. These insights contribute to the development of more effective music education strategies that align with the evolving needs of students while preserving the rich heritage of Chinese musical traditions.</span></p> Lin Shubi Rujee Srisombut Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 283 295 STUDYING ON THE CURRENT SITUATION OF BEl CANTO TEACHING IN SHANWEI INSTITUTE OF TECHNOLOGY, GUANGDONG PROVINCE, THE PEOPLE’S REPUBLIC OF CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1042 <p>The objective is to study on the current situation of Bel Canto teaching in Guangdong Shanwei Institute of Technology, Guangdong province. The research method was a qualitative study of the current situation of Bel Canto singing in Shanwei Institute of Technology. The research instruments included an interview form, an observation form, and Index of Item-Objective Congruence form. The results are as follows: This interview reflects a deep situation of the pedagogical methods, application of techniques, student interests in Bel Canto teaching. Teachers are constantly innovating in the curriculum to provide students with a creative and practical learning environment through a variety of teaching methods and modern technologies. Observing the lessons, it is concluded that Bel Canto instruction not only focuses on vocal technique but also emphasizes emotional expression and stage performance. Through breath control, voice training, pitch and tempo development, and individualized instruction, students can gradually master the various skills required of a Bel Canto. Through professional training, students can develop healthy Bel Canto habits, broaden their vocal range and perform different styles of songs. And the result of the IOC interview form was 0.74, higher than 0.6. It is allowed for use for research purposes. The IOC results of the observation table are higher than 0.6 than 0.6. It is allowed for use for research purposes.</p> Zhuang Chongde Zhang Yuxin Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 360 375 CONSTRUCTING THE MONGOLIAN DANCE GUIDEBOOK FOR TEACHING COLLEGE STUDENTS MAJORING IN PRESCHOOL EDUCATION AT CHAOYANG NORMAL UNIVERSITY, CHAOYANG, LIAONING, CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1021 <p class="xxx" style="text-indent: 0in; line-height: 115%;"><span lang="X-NONE" style="font-size: 12.0pt; line-height: 115%; font-family: 'Times New Roman',serif;">Mongolian dance is an essential part of Chinese culture, deeply rooted in the traditions, beliefs, and way of life of the Mongolian ethnic group. As an expressive art form, it reflects the cultural essence and historical continuity of the Mongolian people while contributing to the diversity of Chinese traditional dance. In the context of preschool education, integrating Mongolian dance into the curriculum can enhance students' artistic appreciation, cultural awareness, and physical coordination. However, there is a lack of systematic teaching materials tailored to preschool education majors. This study aimed to: (1) explore Mongolian dance through expert insights, (2) construct a Mongolian Dance Guidebook for teaching college students majoring in preschool education at Chaoyang Normal University, (3) implement the guidebook in a teaching experiment, and (4) evaluate its effectiveness. A mixed-methods research approach was employed, combining qualitative and quantitative methodologies. Qualitative research involved expert interviews and movement analysis to develop the guidebook, while quantitative research utilized experimental teaching data and statistical analysis to assess students' progress. The research population comprised 30 second-year students majoring in preschool education at Chaoyang Normal University, with a selected sample of 10 students representing different skill levels. Three key informants, all esteemed Mongolian dance experts, provided guidance in structuring the guidebook. The research findings indicate that the Mongolian Dance Guidebook effectively enhances students’ understanding, skills, and creativity in Mongolian dance. The teaching experiment, conducted over 14 weeks, introduced students to Mongolian dance theory, fundamental movement training, children’s dance studies, and choreography. Evaluation through formative and summative assessments demonstrated significant improvement in students' technical proficiency, expressive performance, and creative ability. The formative tests showed a progressive increase in students' mastery of basic movements, rhythm coordination, and ability to perform Mongolian dance combinations with cultural authenticity. By the end of the course, summative assessments revealed that most students achieved high scores in movement standardization, expressive force, and choreography application, with only minor variations in individual performance levels. <strong>The results</strong> highlight that structured instruction, combining traditional teaching methods with innovative approaches, not only improves technical ability but also fosters students' engagement and confidence. Furthermore, the integration of Mongolian dance elements into children's dance creation proved to be an effective pedagogical strategy, enabling students to apply their knowledge in a meaningful way within preschool education settings. The study confirms that the Mongolian Dance Guidebook serves as a valuable instructional resource, enhancing students’ professional competence, artistic expression, and cultural appreciation while addressing the educational needs of preschool education majors.</span></p> Guo Lu Rujee Srisombut Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 223 238 SURVEYING ON THE KODALY METHOD IN TEACHING CHORUS FOR SEVENTH-GRADE STUDENTS AT BEIJIANG MIDDLE SCHOOL, GUANGDONG PROVINCE, THE PEOPLE'S REPUBLIC OF CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1031 <p>The purpose of this research was to survey the Kodály Method of teaching chorus to 7th-grade students at Beijiang Middle School. The research methodology was a qualitative study of the use of the Kodály method in the choral classroom at Beijiang Middle School in Guangdong. Research tools include Interview forms, observation forms, and Index of Item-Objective Congruence forms. The research findings were: In interviews, teachers commented that the Kodály method was effective in improving students' pitch, rhythm, and sight-singing skills, especially through the hand-signature symbols and the note-singing system, which helped students to master pitch and melody quickly. Through classroom observations, the Kodály method was well implemented. Teachers used hand signs and note singing to help students clarify pitch and rhythm, and the classroom atmosphere was positive and interactive. The result of the IOC interview form was 0.74, higher than 0.5. It is allowed for use for research purposes. And the IOC results of the observation table are higher than 0.87 than 0.5. It is permitted for use for research purposes.</p> Lin Jingyi Zhang Yuxin Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 296 311 SUSTAINABLE DEVELOPMENT MANAGEMENT OF YAO EMBROIDERY IN INNOVATIVE FASHION DESIGN IN LONGSHENG COUNTY, GUANG XI ZHUANG AUTONOMOUS REGION, PEOPLE'S REPUBLIC OF CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1054 <p>The purpose of this paper is to explore the sustainable development management of Yao embroidery in innovative fashion design in Longsheng County. The research aim was to (1) analyze and study the ethnic culture of Yao embroidery; (2) Analyze and study the innovative application methods of Yao embroidery in innovative fashion design; (3) Establish a sustainable development management strategy system for Yao embroidery in innovative fashion design, and verify the effectiveness and feasibility of the strategy system. This study adopts a mixed research approach, combining qualitative and quantitative research methods, to comprehensively and deeply explore the sustainable development management issues of Yao embroidery in innovative fashion design. Qualitative research mainly explores the cultural background, artistic characteristics, and potential application of Yao embroidery in innovative fashion design through field investigations, literature analysis, and expert interviews, providing a solid theoretical foundation and rich empirical materials for quantitative research. Quantitative research evaluates the market acceptance of Yao embroidery in innovative fashion design and the effectiveness and feasibility of sustainable development management strategies through methods such as questionnaire surveys and data analysis, providing data support for the optimization and improvement of the strategy system. <strong>The research results</strong> indicate that Yao embroidery contains profound ethnic cultural connotations, and its unique patterns, colors, and techniques showcase the historical wisdom and artistic creativity of the Yao people. In innovative fashion design, Yao embroidery has successfully achieved the organic combination of traditional and modern aesthetics through pattern innovation, color matching, material fusion, and technique improvement, injecting new vitality into fashion design. At the same time, in order to promote the sustainable development of Yao embroidery in innovative fashion design, we have established a multidimensional management strategy system that includes cultural heritage, technological innovation, market expansion, brand building, supply chain optimization, and environmental protection. The effectiveness and feasibility of this system have been verified through implementation and regular evaluation, providing strong support for the long-term development of Yao embroidery in the field of modern fashion.</p> Xu Xia Wanchai Kaewsaisoon Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 376 394 THE MIDDLE SCHOOL TEACHERS’ PERSPECTIVE ON DAZHOU FOLK SONG TEACHING IN MUSIC COURSE AT FIVE SCHOOLS IN DAZHOU CITY, SICHUAN PROVINCE, THE PEOPLE’S REPUBLIC OF CHINA https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1022 <p>This study focuses on five schools in Dazhou City, Sichuan Province, aiming to explore the views of middle school teachers on the teaching of Dazhou folk song music courses, understand their viewpoints, teaching practices, and problems faced, and provide reference for promoting effective teaching of Dazhou folk songs in middle schools. Using qualitative research methods, interviews were conducted with four experts from five schools to conduct classroom observations. Data was collected through interviews, observations, and literature research, and case analysis was used for analysis. <strong>The research results: </strong>In terms of curriculum teaching, teachers hope to increase the proportion of Dazhou folk songs in textbooks, determine key and difficult points based on folk songs and student characteristics, integrate them into school-based curriculum, and participate in content adjustment; The teaching method adopts demonstration, imitation, and group cooperation to stimulate students' interest; Teaching media mainly consist of multimedia courseware, supplemented by traditional teaching aids. It is recommended that schools optimize their resources; The classroom focuses on creating a positive atmosphere and believes that inviting folk song inheritors is beneficial. Based on this, suggestions are proposed to establish a standardized teaching framework, promote resource sharing, and strengthen teacher training and curriculum teaching cooperation.</p> Li Bo Thitinun Charoensloong Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 239 252 REFORM THE THAI CIVIL SERVICE SYSTEM TO SOLVE THE CURRENT CORRUPTION PROBLEM https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1104 <p>This academic article aims to study the civil service reform process in Thailand and to study solutions to current corruption problems. It is very important in the Thai bureaucracy. It is a problem affecting progress and people's confidence in the governance system. There are some solutions to the problem of corruption in the bureaucracy. It is transparent by using information technology to disclose public information. They are, for example, government agency budgets, programs, and spending. It encourages citizens to participate in monitoring and monitoring government operations. It provides for the dissemination of information to the public, e.g. Government budget, national development plan and other important information. It happens to citizens through various channels such as government websites and various communications. Government agencies release public information to promote transparency. It includes checking the accuracy and completeness of information before it is published. It prepares information for dissemination to the public. It uses channels such as government websites, Government Open Data Portal or other online communication platforms. It communicates with the public about published information. It is important information for answering and solving public questions. It is an evaluation of the public release. It brings in external audit agencies to carry out government work. It promotes a culture of information disclosure and public awareness. It encourages citizens to have knowledge and understanding of their rights and duties to inspect government officials. It supports communication and dissemination of information on preventing and suppressing corruption. It clearly reinforces responsibility, criteria and standards for working. It uses a fair and transparent performance appraisal system. It provides strict punishment for offenders, not exempting those in authority. It has to deal with problems. It's such a duplication of duties and responsibilities of the agency. It has reformed the civil service system to address corruption. It requires cooperation from all sectors, including government, the private sector, NGOs and the general public. It creates lasting change and has real results.</p> Phramaha Phanuvich Phanuvichayo Phrakhrusangharak Yodsawi Pamoottor Ubol Wuthipornsopon Artit Choochai Ratcharot Panyaboon Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 395 408 THE DEVELOPMENT AND INFLUENCE OF OBOE EDUCATION IN CHINA: TRADITION, INNOVATION, AND GLOBAL INTEGRATION https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1024 <p>The development of oboe education in China has undergone significant transformations, blending elements of Chinese culture and tradition with global musical influences. This article explores the historical evolution of oboe education, its integration into Chinese music institutions, and the growing emphasis on technical proficiency and artistic expression. Through an analysis of curriculum design, teaching methodologies, and the role of the oboe in both Western and Chinese traditional music, <strong>the research highlights</strong> the unique challenges and opportunities in its pedagogy. Additionally, the study examines how contemporary advancements, such as international collaborations and digital learning resources, have further enriched oboe education in China. The findings emphasize the importance of preserving Chinese musical heritage while embracing innovative teaching approaches to cultivate skilled oboists who can contribute to both national and global music communities.</p> Chen Zihan Satana Rojanatakul Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 268 282 THE DEVELOPMENT AND CHALLENGES OF CELLO TEACHING IN CHINA: INTEGRATION OF TRADITIONAL CHINESE MUSIC AND PEDAGOGICAL INNOVATIONS https://so18.tci-thaijo.org/index.php/gjwrc_2521/article/view/1020 <p>This paper explores the development and challenges of cello teaching in China, with a particular focus on integrating traditional Chinese music and culture into the pedagogical process. As China’s economy and international cultural exchanges have flourished, there has been a growing interest in Western instruments, especially the cello. This development has led to the establishment of systematic cello education in Chinese music academies, though challenges such as technical limitations, lack of interpretative depth, and unfamiliarity with classical works persist among learners. The paper emphasizes the need to blend Western cello techniques with Chinese musical traditions, highlighting the importance of incorporating Chinese cultural elements into cello pedagogy. Strategies for achieving this integration are proposed, including adapting traditional Chinese music for the cello, utilizing Chinese performance techniques, and fostering an understanding of both Western and Chinese artistic expressions. This fusion not only enriches the technical and emotional depth of cello performance but also enhances the educational experience by connecting students with the profound cultural heritage of China. Ultimately, the paper aims to provide valuable insights into how cello teaching in China can evolve by embracing both global musical practices and local cultural traditions, fostering well-rounded musicians who are skilled in both technical execution and artistic expression.</p> Cheng Wenting Satana Rojanatakul Copyright (c) 2025 Global Interactive Journal of World Religions and Cultures 2025-08-31 2025-08-31 5 2 209 222