EXPLORING THE VOCAL ART OF CHINESE FOLK SONGS THROUGH TECHNIQUES EVOLUTION AND CULTURAL SIGNIFICANCE

Main Article Content

Ming Yu
Priwan Nanongkham Nanongkham

Abstract

This article explores the vocal art of Chinese folk songs by examining the evolution of singing techniques and their deep cultural significance. Chinese folk songs are not only artistic expressions rooted in the daily lives of the people but also, important carriers of regional identity and traditional values. The study delves into the three main vocal styles including true voice, falsetto, and mixed voice. Analyzing their technical characteristics, aesthetic functions, and emotional expressiveness. By highlighting the rich diversity of regional vocal styles and the influence of local dialects, geography, and customs, this article illustrates how these elements shape the unique vocal traditions across China. Furthermore, the research emphasizes the importance of preserving and revitalizing these folk traditions in the context of modern education and performance, while considering their potential contributions to global music exchange. As Chinese folk songs increasingly appear on international stages, understanding their vocal artistry and cultural roots helps promote a more inclusive appreciation of world music and fosters deeper intercultural dialogue. This study contributes to the broader discourse on how traditional vocal arts can be innovatively sustained and integrated into contemporary cultural and educational contexts.

Article Details

Section
Academic Articles

References

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