AN ANALYTICAL STUDY OF THE BUDDHA'S TEACHING IN DVARAVATI BUDDHIST ART
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Abstract
The purpose of this research was to study Buddhist art in Buddhism. A study of the Dhamma principles that appeared in Buddhist art in the Dvaravati period. and analyzing the importance of the dharma principles that appear in Buddhist art. It is qualitative research and documentary research. The researcher divided the research method into 3 steps by studying information from the Tipitaka, Atṭhakathā, Supreme, books, and related research results. Analyze the data and draw conclusions. Gathering documents and information on the museum site, then processing The results are summarized and presented in the form of descriptive writing, suggestions, and principles of the Buddha's teachings that emerge as Buddhist art. The results showed that: 1) The study of Buddhist art in Buddhism Buddhist art in Buddhism, Buddha images, architecture, Thawornwathu (Permanent objects), stone, and various paintings reflect the value of Buddhist art reflecting cultural identity. Traditions and values that are unique to Buddhism. 2) The Dhamma principles in Dvaravati era Buddhist art, such as the Dhammacakkappavattana Sutta (the Wheel of the Dhamma); operate the middle line Steps, guidelines for making the opinions into practice for knowledge, for the elimination of suffering, Buddhist symbols, remembering this noble principle and introducing it into practice. Considering the Four Noble Truths and the Eightfold Path, the trinity is the path leading to the cessation of suffering. complete absence of suffering is the ultimate goal of Buddhism, symbolizing liberation or nirvana 3) Analyze the importance of the Dhamma principles that appear in Buddhist art. The most important doctrine is the Four Noble Truths, the Eightfold Path, Paticcasamuppada (Law of Dependent Origination) has the twelve bodies and the trinity, the Dhamma values that are the cornerstones of culture, appear firmly in the minds of the Thai people in order to train the young guides to participate in the dissemination of the hidden Buddhist principles. In Buddhist art, promoting tourism to the folk museum.
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