THE INHERITANCE OF BELIEFS AND ETHNIC GROUPS: A CASE STUDY OF LAKHON NAI

Abstract

This research aims to study the relationship between the beliefs and ethnic groups, and the inheritance of belief in Lakhon Nai, a Thai traditional drama performed for the royal family. The scope of the study is based on the First Three Thai Enacted laws, heritage studies, and records of the performance run by the Fine Arts Department from 1782 to 2021. The information was obtained in the forms of media records, related documents, and interviews with the specialists including the researcher’s experience in learning and teaching pedagogies, and her performance. It is found that Lakhon Nai has been used to record the history of the kings, country, and conventional practice as described in the First Three Thai Enacted laws. The content portrayed the story of protagonists, their leadership, and their visions in the Royal Thai Court and society. It can be stated that the theme of beliefs and ethnic groups have been adjusted to be compatible with the local Thai custom resulting in Lakhon Nai’s identity. The theme and function of the show were inseparable. The alteration of society, ethnic group population, beliefs, and dancing styles did not affect the leader’s vision. Trust and respect dedicated to the instructor have played an important role in traditional preservation including practical and performance absorption. These findings can enhance Thai cultural preservation, traditionally dramatic inheritance, and policy dissemination.