Reflection Of Nadis Boonrod’s Exercise And Etude For Four Mallets

Abstract

The focal point of this article is the composition of exercises and etudes for four mallets by Nadis Boonrod. These exercises encompass various techniques, including single independent strokes, single alternating strokes, double vertical strokes, and double lateral strokes. Each of these techniques corresponds to a specific composition, namely Walk, Split, Groovy, and Bubble, respectively. This study employed two methods, namely survey research exploitation and interviewing advanced-level university instructors and renowned percussionists, to examine the exercises. The examination result found that the exercises and etudes were designed comprehensively for each practical topic and could be used effectively in teaching methods.