Pulse: Journal for Music and Interdisciplinary Practices
Pulse is a contemporary music journal. We provide a platform for researchers working on topics related to all aspects of musical expressions to engage with one another and to share their work with a global audience.
ISSN: 2821-9279
Publication Frequency: two times per year
Issue 1 : January- June
Issue 2 : July - December*
* Revised to comply with the TCI –Thailand Citation Index.
Aims and Scope
Pulse is an online journal exploring all aspects of contemporary music life. The journal invites submissions across a broad spectrum of music-related research topics, including: Performance Practice, Creative Practice, Innovation and Design, Interdisciplinary Studies, Learning and Teaching, Music and Society, Cultures, and Aesthetics.
Current Issue
Vol. 7 No. Special Issue (2026): Vol.7 Special Issue: March 2026
Over the past four years, PULSE has brought together a growing body of articles and reflections engaging with the rich and diverse practices of sound and music-making across Southeast Asia. This special issue, Resonating Across Borders: Building Bridges through Music in Southeast Asia, builds on that foundation by foregrounding initiatives that connect communities, cultures, and knowledge systems across the region.
Focusing on events and activities organised throughout Southeast Asia, this thematic volume highlights efforts to foster intercultural dialogue and to draw renewed attention to musical traditions, philosophies, and practices often marginalised within the accelerated dynamics of globalisation. The contributions consider how festivals, workshops, and community-based initiatives function not only as sites of artistic exchange but also as platforms for cultural negotiation, mutual learning, and the reframing of identity.
For this issue, we invited selected contributors to critically reflect on projects that advance cultural understanding and integration across both national contexts and transnational settings. These studies examine curatorial strategies and participatory frameworks that enable musicians and artists to engage with diverse cultural perspectives, support intergenerational knowledge transmission, and foster sustained dialogue.
This volume also demonstrates how such initiatives contribute to the sustainable development of local cultures, particularly through adaptive pedagogies and community-led practices. Where possible, the articles are accompanied by relevant media materials, including recordings and video documentation, extending the issue beyond a textual format into a dynamic and accessible resource.
Ultimately, this special issue aims to serve not only as a scholarly contribution but also as a source of inspiration for practitioners, educators, and curators working within and beyond Southeast Asia, offering insight into music as a connective, transformative, and socially engaged practice.
In these troubled times, when the very idea of globalisation is under increasing scrutiny, we invite you to reflect on the importance of building bridges with your neighbours, nurturing mutual understanding, and reaffirming the value of cultural exchange in an increasingly fragmented world.
We hope you enjoy this first selection, which will be followed by a second volume next year.
The Pulse Editorial Team
Published: 2026-03-31