Aural though Oral: Onomatopoeia in Thai Musical Terminology

Abstract

This paper focuses on onomatopoetic words in Thai traditional music terminology (Saptha-Sangkhita). By gathering onomatopoeias from practice terms of various musical instruments existing in Thai classical music, it is intended to draw conclusions about the features of word forms associated to particular sound characteristics. The findings revealed that when the sounds of musical instrument are described in terms of fundamental sounds, harmonic properties, register, timbre, and other articulations imitating some technical practice, distinct language qualities are required for an effective communication. Based on a thorough understanding of musical properties, a number of onomatopoetic terms of Thai technical words were systematically designed. In addition, the terms have been employed as a tool for instructing students in the proper technique for practicing musical instruments. This legacy exemplifies Thai culture's sophisticated understanding of subtly in music.  It demonstrates how the rich oral traditions and aural capabilities formed Thai musical legacy in the past.